THE CHILD BALLADS

The eerie, visceral, unsettling imagery of ancient Scottish and English ballads

APPARITIONS

One disenchanted and one enchanted eye, haunting the expansive territories of the American West

PINE CONE CLOAK

A garment made from Jeffrey Pine cone scales at the Sagehen Creek Field Station

TRANSFIXED

Attempting to address climate change through metaphor and memento mori

TRANSFIXED: STUDIES

Experiments in freezing

PLOT (KLUANE)

Windows into the complexity of land at eye level

SAGEHEN COMIX

One-page comic versions of scientific research papers

NESTS

Paintings of sculptures made from human hair

SHIPS OF THE DESERT, BY NAME

On the individuality of camels

FIELD JOURNALS

Australia, the Arctic, and the American West

TRANSPLANTS

Costumes made from Wyoming plants

THE ONLY THING EVERYONE KNOWS ABOUT US (IS WRONG)

AMONG THE FINAL THUNDERS OF THESE ICES

Time in the Far North

UNSTABLE GROUND

Thermal features and extremophiles of the Greater Yellowstone Ecosystem

UNSTABLE GROUND II

Geysers, pools, mudpots, and fumaroles from Wyoming and New Zealand

ANCIENT SUMMER

The Oregon Outback

THAT SOUND UNDER THE FLOOR IS THE SEA

A series of etchings, based in imagery collected in Svalbard, printed in collaboration with Frol Boundin.

INVASIVE (FAILURE TO DISAPPEAR)

Portrait of the artist as an invasive species

PESTS OF NATIONAL SIGNIFICANCE

Portraits of other introduced species

HOMING

Installation of hairwork in the form of small nests

THESE ONCE WERE A FACE

Portraits of melting ice from Svalbard beaches

THE RANGERSOME MUSEUMGOER’S GUIDE TO POLAR TAXIDERMY

“…and then of course, there’s the ubiquitous herd of taxidermized animals,” I wrote in my field journal

SHIP TO SHORE

Land, sea, glaciers, and artists at work in the Arctic Circle residency

WISH YOU WERE HERE

Tourism and Sun Valley, Idaho

LIGHTS ALL ASKEW IN THE HEAVENS

Surreality and grad school make fine bedfellows

DETRITUS

Experiments in form and color, using discarded objects